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ART CONSERVATION - Cultural Heritage and Aerobiology
ARTWORK MOLD CONTAMINATION

BIODETERIORATION AGENT & STAIN CATALOG
BLOOD in ART WORKS, TESTING FOR
BOOK MOLD, Moldy Book Cleaning

Diagnostic Building & Environmental Inspection & Testing
Diagnostic & Forensic Inspections, Tests, Fees

Environmental Inspections, Tests, Fees
ENVIRONMENTAL HAZARDS - INSPECT, TEST, REMEDY

FORENSIC BUILDING INVESTIGATION SERVICES
FORENSIC PARTICLE LABORATORY SERVICES

GAS EXPOSURE EFFECTS, TOXIC
GAS DETECTION INSTRUMENTS

HUMIDITY LEVEL TARGET

KAHLO NOYOLA COLLECTION REFERENCES

LEAD POISONING HAZARDS GUIDE
LEAD TEST KIT for HOME USE

ODORS, Smells, Gases in buildings-Diagnosis & Cure

MOLD ATLAS & PARTICLES INDEX
MOLD EXPERT, WHEN TO HIRE
MOLD on ART WORKS, TESTING FOR
MOLD INFORMATION CENTER

PAINT FALURE, DIAGNOSIS, CURE, PREVENTION
PAINT FAILURE Inspections, Tests, Fees

STAIN & BIODETERIORATION AGENT CATALOG
STAIN DIAGNOSIS on BUILDING EXTERIORS
STAIN DIAGNOSIS on BUILDING INTERIORS
STAINS on INDOOR SURFACES: PHOTO GUIDE
STAIN DIAGNOSIS on STONE
STAINS & Thermal Tracking

TECHNICAL & LAB PROCEDURES
THERMAL TRACKING & HEAT LOSS
TRAPPED MOLD BETWEEN WOOD SURFACES

WTC Dust Photos

More Information

Cultural Heritage Aeriboiology and Art conservation (C) Daniel FriedmanBook Review for Aerobiologists - Cultural Heritage and Aerobiology, Methods and Measurement Techniques for Biodeterioration Monitoring
     

  • Aerobiology, methods and measurement techniques to evaluate biodeterioration of art and objects
    • The conservation of art objects relies on expert inspection, testing, and diagnosis of environmental contaminants and factors that affect the deterioration of artworks, such as mold, moisture, temperature, acid rain, and both indoor and outdoor air quality components. This text reviews these important art conservation concerns and describes methods for the inspection, testing, and monitoring of environmental conditions wherever artworks and other cultural artifacts are located.
  • List of key reference texts for conservation or forensic analysis of paints, textiles, stone, buildings, art, & cultural artifacts
  • ART CONSERVATION - Cultural Heritage and Aerobiology - separate article
  • ARTWORK MOLD CONTAMINATION - separate article
  • BIODETERIORATION AGENT & STAIN CATALOG - separate article
  • BLACK LIGHT & UV LIGHT USES - separate article
  • BLOOD in ART WORKS, TESTING FOR - separate article
  • BOOK MOLD, Moldy Book Cleaning - separate article
  • FLOOD DAMAGE ASSESSMENT, SAFETY & CLEANUP - separate article
  • FLOODS IN BUILDINGS-mold - separate article
  • FOXING STAINS on books & papers - separate article
  • MILDEW REMOVAL & PREVENTION - separate article
  • WTC Dust Photos - separate article
  • Questions & Answers about art & artifact conservation methods and techniques
  • References

Click to Show or Hide Related Topics

  • MOLD: A COMPLETE GUIDE - home
  • ACCEPTABLE MOLD LEVEL
  • ACCURACY OF VARIOUS MOLD TEST METHODS
  • ACTION GUIDE - WHAT TO DO ABOUT INDOOR MOLD
  • AIR POLLUTANTS, COMMON INDOOR
  • AIR TEST FOR MOLD: ACCURACY
  • ALLERGY TESTS for PEOPLE
  • BLACK MOLD, HARMLESS
  • BLEACHING MOLD, Advice
  • CARPET MOLD CONTAMINATION
  • CRAWLSPACE MOLD ADVICE
  • DISASTERS: BUILDING INSPECTION & REPAIR - home
  • DRYWALL MOLD
  • DUST SAMPLING PROCEDURE
  • EMERGENCY RESPONSE, IAQ, GAS, MOLD
  • FORENSIC & IAQ FIELD IAQ EQUIPMENT SOP - home
  • HIDDEN MOLD, HOW TO FIND
  • INDOOR AIR QUALITY IMPROVEMENT GUIDE
  • INSULATION MOLD
  • MILDEW in BUILDINGS ?
  • MOLD ACTION GUIDE - WHAT TO DO ABOUT MOLD
  • MOLD AGE - Old is the Mold?
  • MOLD APPEARANCE - WHAT MOLD LOOKS LIKE
  • MOLD APPEARANCE on VARIOUS SURFACES
  • MOLD APPEARANCE - STUFF THAT IS NOT MOLD
  • MOLD CLEANERS - WHAT TO USE
  • MOLD CLEANUP, DO IT YOURSELF
  • MOLD CLEANUP GUIDE to GET RID OF MOLD
  • MOLD CLEARANCE INSPECTIONS
  • MOLD DOCTORS - ENVIRONMENTAL MEDICINE
  • MOLD EMERGENCY RESPONSE
  • MOLD EXPERT, WHEN TO HIRE
  • MOLD EXPOSURE RISK LEVELS
  • MOLD EXPOSURE STANDARDS
  • MOLD PRODUCTS, INEFFECTIVE
  • MOLD RELATED ILLNESS SYMPTOMS
  • MOLD SPRAYS, SEALANTS, PAINTS
  • MOLD TEST vs. PROBLEM DIAGNOSIS
  • MOLD TEST KITS
  • MOLD TEST METHOD ACCURACY
  • MOLD TEST REASONS
  • MOLD TESTING METHOD VALIDITY
  • MOLD TESTING SERVICES
  • MVOCs & MOLDY MUSTY ODORS
  • MYCOTOXIN EFFECTS of MOLD EXPOSURE
  • OZONE for MOLD OR ODORS
InspectAPedia tolerates no conflicts of interest. We have no relationship with advertisers, products, or services discussed at this website.

Biodeterioration of artworks and cultural artifacts: diagnosis, remedy, prevention: how to investigate and diagnose various sources of biodeterioration which plague a wide variety of cultural artifacts and materials, as well as to address related human health concerns. Actually this application of aerobiology will be of particular interest to all aerobiologists as well as other investigators.

A New Guide to Art and Cultural Artifact Conservation

-- Daniel Friedman

Cultural Heritage and Aerobiology, Methods and Measurement Techniques for Biodeterioration Monitoring
[purchase at Amazon.com]
, Paolo Mandrioli, Guilia Caneva, and Cristina Sabbioni, Eds., Kluwer Academic Publishers, 2003 ISBN 1-4020-1622-0

Betty van Herk was kind enough to send along a review copy of this interesting new work which arrived as I was investigating fungal problems for a library which includes old books and magazines as well as oil paintings. I learned, for example, that the cracks you see in an oil painting could be caused by unfavorable microclimatic conditions at the back of the canvas, promoting the development of microfungi that penetrate the canvas can push off the paint. What causes erosion, spots, or opacification on glass and what different organisms cause patinas? What molds do the most damage to plastic? [Answers are below.]

Green links show where you are. © Copyright 2013 InspectAPedia.com, All Rights Reserved. Author Daniel Friedman.

Cellulose attacks (C) Daniel FriedmanThis work should be in the hands of aerobiologists who may be called upon to investigate and diagnose various sources of biodeterioration which plague a wide variety of cultural artifacts and materials, as well as to address related human health concerns. Actually this application of aerobiology will be of particular interest to all aerobiologists as well as other investigators.

Our photo (left) shows a typical illustration from the text. In this example the authors discuss microorganisms such as Penicillium sp. fungus that attach starch (and cellulose)-based substances.

The book's 243 pages present a compendium of museum, library, and cultural artifact materials which can be damaged by biodeterioration. The text goes on to describe tools and methods used to evaluate, monitor, and avoid >biodeterioration of valued artifacts that form our cultural heritage.

The scope of materials affected by biodeterioration is broad, including among organics: paper, wood, textiles, parchment, leather, paintings (both ground layers and surface pigments), and plastics. The inorganic materials addressed include stone, glass, and metals, stored both indoors and outside.

After introducing the materials of concern, the editors provide an inventory of the basic environmental measurements such as temperature, air movement, and light, followed by a chapter on the chemical characteristics of common biodeteriogens, along with a look at gaseous and chemical pollutants.

About half of the main text addresses methods and measurement techniques for the monitoring of biological aerosols, defining the parameters an aerobiologist would consider: deposition, settling velocity, impact, etc. followed by sampling principles. A review of sampling equipment and techniques is followed by a description of sample analysis.

The remaining text offers specific advice to libraries, museums, archives, churches and people maintaining outdoor artifacts. Custodians charged with preserving the cultural heritage in their charge will find guidance on aerobiological monitoring of these artifacts and contents.

The book was fascinating and for me as a non-expert, as it offers a useful survey of the family of chemistry, transport mechanisms, monitoring devices and approaches, and biological deterioration effects of a wider range of living stuff than our more familiar mold spores: bacteria, actinomycetes, cyanobacteria, algae, lichens, and even higher plants and mosses as well as a wide range of other agents are discussed.

The strength of the book is its discussion of aerobiological principles of transport, chemistry, and biodeterioration, and it's emphasis on matching >monitoring and analytical methods to the chemical or biological agent being watched. It offers specific details needed to get from theory to practice.

The text is not comprehensive in advice on >selection of monitoring and sampling equipment. As a compendium which collects contributions from a variety of authors, there is often unevenness in depth across topics. Sections on monitoring equipment focus on sampling tools familiar to the authors and fitting certain analysis procedures (Anderson cascade sampler, Rotorod sampler, liquid impingers), while some current, convenient equipment are not discussed (Burkard personal air sampler, Air-O-Cell type cassettes, Gil-Air type portable, variable-flow-rate vacuum pumps). The reader should be able to translate the methodological advice to the world of alternative tools. Finally, the book's index is spartan and does not do justice to its contents. I found myself adding our own index entries as I read through the text.

Whether you're charged with monitoring and preserving artifacts or are specializing in another field of aerobiology, this is interesting and useful reading.

This book review appeared in the Pan American Aerobiology Association Newsletter, Spring 2004 - see www.paaa.org for access to past newsletters.

Daniel Friedman

Also see ARTWORK MOLD CONTAMINATION and BLOOD in ART WORKS, TESTING FOR


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Technical Reviewers & References

Related Topics, found near the top of this page suggest articles closely related to this one.

  • [1] Cultural Heritage and Aerobiology, Methods and Measurement Techniques for Biodeterioration Monitoring, Paolo Mandrioli, Guilia Caneva, and Cristina Sabbioni, Eds., Kluwer Academic Publishers, 2003 ISBN 1-4020-1622-0
    See our book review of this reference.
  • [2] Koestler R. J., Warscheid T., Nieto F. (1997) Biodeterioration: risk factors and their management. in Saving our architectural heritage: the conservation of historic stone structures. J. eds Baer N. S., Snethlage R. (Wiley and Sons, London, United Kingdom), pp 25–36.
  • [3] Kowalik R. (1980) Microbiodeterioration of library materials. Part 2. Microbiodecomposition of basic organic library materials. Restaurator 4:135–219.
  • [4] Montegut D., Indictor N., Koestler R. J. (1991) Fungal deterioration of cellulosic textiles: a review. Int. Biodeterior. 28:209–226.
  • [5] Ortega-Calvo J. J., Hernandez-Marine M., Saiz-Jimenez C. (1993) Cyanobacteria and algae on historic buildings and monuments. in Recent advances in biodeterioration and biodegradation, eds Garg K. L., Garg N., Mukerji K. G. (Naya Prokash, Calcutta, India), I:173–203.

Books & Articles on Building & Environmental Inspection, Testing, Diagnosis, & Repair

  • Our recommended books about building & mechanical systems design, inspection, problem diagnosis, and repair, and about indoor environment and IAQ testing, diagnosis, and cleanup are at the InspectAPedia Bookstore. Also see our Book Reviews - InspectAPedia.
  • Home Reference Book - Carson DunlopThe Home Reference Book - the Encyclopedia of Homes, Carson Dunlop & Associates, Toronto, Ontario, 25th Ed., 2012, is a bound volume of more than 450 illustrated pages that assist home inspectors and home owners in the inspection and detection of problems on buildings. The text is intended as a reference guide to help building owners operate and maintain their home effectively. Field inspection worksheets are included at the back of the volume. Special Offer: For a 10% discount on any number of copies of the Home Reference Book purchased as a single order. Enter INSPECTAHRB in the order payment page "Promo/Redemption" space. InspectAPedia.com editor Daniel Friedman is a contributing author.

    Or choose the The Home Reference eBook for PCs, Macs, Kindle, iPad, iPhone, or Android Smart Phones. Special Offer: For a 5% discount on any number of copies of the Home Reference eBook purchased as a single order. Enter INSPECTAEHRB in the order payment page "Promo/Redemption" space.

  • GO TO Carson Dunlop's Home Study Course Information - How to Become a Home Inspector: Carson Dunlop's nationally recognized Home Study Course, selected by ASHI the American Society of Home Inspectors and other professionals and associations. This website author is a contributor to this course.
  • GO TO Carson Dunlop's Home Study Course Information - How to Become a Home Inspector: Carson Dunlop's nationally recognized Home Study Course, selected by ASHI the American Society of Home Inspectors and other professionals and associations. This website author is a contributor to this course.
  • GO TO Carson Dunlop's Home Study Course Information - How to Become a Home Inspector: Carson Dunlop's nationally recognized Home Study Course, selected by ASHI the American Society of Home Inspectors and other professionals and associations. This website author is a contributor to this course.
    Building inspection education & report writing systems from Carson, Dunlop & Associates Ltd
  • Carson Dunlop, Associates, Toronto, have provided us with (and we recommend) Carson Dunlop Weldon & Associates' Technical Reference Guide to manufacturer's model and serial number information for heating and cooling equipment
    Special Offer
    : Carson Dunlop Associates offers InspectAPedia readers in the U.S.A. a 5% discount on any number of copies of the Technical Reference Guide purchased as a single order. Just enter INSPECTATRG in the order payment page "Promo/Redemption" space.

  • Analysis of Modern Paints, Thomas J.S. Learner, Research in Conservation, 2004 ISBN 0-89236-779-2 [Chemistry of modern paints, overview of analytical methods, pyrolysis-gas chromatography signatures of basic modern paints and their constituents, Fourier transform infrared spectroscopy for paint analysis, direct temperature-resolved mass spectrometry, and analysis in practice - technical reference useful for forensic paint science, focused on art works -DF]
  • Art, Biology, and Conservation: Biodeterioration in Works of Art, Robert J. Koestler et als. Eds., Metropolitan Museum of Art, 2003, ISBN 1-58839-107-8
  • Building Pathology, Deterioration, Diagnostics, and Intervention, Samuel Y. Harris, P.E., AIA, Esq., ISBN 0-471-33172-4, John Wiley & Sons, 2001 [General building science-DF - ** Particularly useful text **
  • Dampness in buildings, Diagnosis, Treatment, Instruments, T.A. Oxley & E.G. Gobert, ISBN 0-408-01463-6, Butterworths, 1983-1987 [General building science-DF]
  • Paint and Surface Coatings, Theory and Practice [purchase at Amazon.com], R. Lambourne & T.A. Strivens, Ed., Woodhead Publishing Ltd., William Andrew Publishing, 1999 ISBN 1-85573-348 X & 1-884207-73-1 [This is perhaps the leading reference on modern paints and coatings, but is a difficult text to obtain, and is a bit short on field investigation methods - DF]
  • Paint Handbook: testing, selection, application, troubleshooting, surface preparation, etc., Guy E. Weismantel, Ed., McGraw Hill Book Company, 1981, ISBN-10: 0070690618, ISBN-13: 978-0070690615, [Excellent but a bit obsolete paint theory and practice, also a bit light on field investigation methods, out of print, available used-DF]
    How to select and apply the right paint or coating for any surface. The first major reference to help you choose the correct paint or other finish to do the job best on a particular surface exposed to a particular environment. Experts in the field give full advice on testing surface preparation, application, corrosion prevention, and troubleshooting. The handbook covers wood, metal, composites, and masonry, as well as marine applications and roof coatings. A ``must'' working tool for contractors, architects, engineers, specification writers, and paint dealers.
  • Paint and Surface Coatings, Theory and Practice, R. Lambourne & T.A. Strivens, Ed., Woodhead Publishing Ltd., William Andrew Publishing, 1999 ISBN 1-85573-348 X & 1-884207-73-1 [This is perhaps the leading reference on modern paints and coatings, but is a difficult text to obtain, and is a bit short on field investigation methods - DF]
    Provides a comprehensive reference source for all those in the paint industry, paint manufacturers and raw materials suppliers, undergraduate and postgraduate students, and industrial paint users. R. Lambourne was in the Research Department at ICI Paints Division and the Industrial Colloid Advisory Group, Birstol University, UK.
  • Seeing Through Paintings, Physical Examination in Art Historical Studies, Andrea Kirsh, Rustin S. Levenson, Materials in Fine Arts, 2000 ISBN 99-051835 [ forensic science, technical reference, focused on art works - DF]
  • Sealants, Durability of Building Sealants (RILEM Proceedings), J.C. Beech, A.T. Wolf, Spon Press; illustrated edition (1995), ISBN-10: 0419210709, ISBN-13: 978-0419210702
    This book presents the papers given at the RILEM Seminar held at the Building Research Establishment, Garston, UK in October 1994. The book provides an opportunity for researchers to review up-to-date progress towards the achievement of the objectives of the standardisation of laboratory techniques of sealants in the variety of service conditions to which they are exposed.
  • Soiling and Cleaning of Building Facades (RILEM Report), L.G.W. Verhoef (Editor), Routledge; 1 edition (November 3, 1988), ISBN-10: 0412306700, USBN-13: 978-0412306709
    The report of a comprehensive investigation by RILEM which examines all aspects of the cleaning of facades, subject to soiling by both biological and non-biological agencies. The contributors are international authorities working in this field giving essential advice to all those who need to know how to approach the problems connected with the soiling and cleaning of building facades.
  • Staining, Prevention of Premature Staining in New buildings, Phil Parnham, Taylor & Francis; 1996, ISBN-10: 0419171304, ISBN-13: 978-0419171300
    The appearance of ugly staining early in a buildings life, ruins an otherwise pleasing appearance, tarnishes the image of the owners and gives rise to costly refurbishment works. In this book Phil Parnham raises a number of questions that should be considered whenever a new building is being designed or built. These are: * why has staining become so prominent; * what causes premature staining; which parts of new buildings are likely to be affected; * how can it be avoided? By using a number of highly illustrated case studies, the author answers these questions and ends by suggesting measures that should be taken by all design and construction professionals to prevent premature staining.
  • Understanding Ventilation, John Bower, The Healthy House Institute, ISBN 0-9637156-5-8, 1995 [General building science-DF - ** Particularly useful text. Mr. Bower has retired from the field but his book continues to be important]
  • "Moisture Control in buildings: Putting Building Science in Green Building," Alex Wilson, Environmental Building News, Vol. 12. No. 5. [Good tutorial, "Moisture 101" outlining the physics of moisture movement in buildings and a good but incomplete list of general suggestions for moisture control - inadequate attention given to exterior conditions such as roof and surface drainage defects which are among the most-common sources of building moisture and water entry.--DJF]
  • ...

Paint & Fiber Forensic Analysis, Diagnosis, Conservation

  • Analysis of Modern Paints, Thomas J.S. Learner, Research in Conservation, 2004 ISBN 0-89236-779-2
    [Chemistry of modern paints, overview of analytical methods, pyrolysis-gas chromatography signatures of basic modern paints and their constituents, Fourier transform infrared spectroscopy for paint analysis, direct temperature-resolved mass spectrometry, and analysis in practice - technical reference useful for forensic paint science, focused on art works. One of our most useful texts in forensic investigation of paint failures and paint problem diagnosis - for building investigators as well as art conservators. -DF]
    Although oil remains an important binding medium in artists' paints, today's synthetic resins are being used with increasing frequency. This was true during much of the twentieth century, when artists such as David Alfaro Siqueiros, Jackson Pollock, and Pablo Picasso used commercial or industrial paints based on synthetic resins. The growing popularity of synthetic resin materials carries important implications for the conservation, preservation, and treatment of modern art.
    This volume outlines the techniques that are currently employed to analyze the synthetic resins used in modern painting materials, such as pyrolysis-gas chromatography-mass spectrometry, Fourier Transform infrared spectroscopy, and direct temperature-resolved mass spectrometry. For each technique, results are given for standard samples of the principal classes of synthetic binding media, various pigments and extenders, tube paint formulations, and microscopic paint fragments taken from actual works of art.
    Primarily intended for conservation scientists, conservators, researchers, and students of conservation, this book will also be of interest to other museum professionals.
  • Art, Biology, and Conservation: Biodeterioration in Works of Art, Robert J. Koestler et als. Eds., Metropolitan Museum of Art, 2003, ISBN 1-58839-107-8
    Series of excellent research and advice articles on art work conservation of special use to conservators and also to building, artifact, and art forensic investigators. MOMA. - DF
    Despite the perception that artworks are timeless and unchanging, they are actually subject to biological attack from a variety of sources—from bacteria to fungi to insects. This groundbreaking volume, which publishes the proceedings of a conference held at The Metropolitan Museum of Art in 2002, explores how the development of these organisms can be arrested while preserving both the work of art and the health of the conservator.
    The richly illustrated text, containing the writings of over 40 scientists and conservators, is divided into sections on stone and mural paintings, paper, textiles, wood and archaeological materials, treatment and prevention, and special topics. The artworks and cultural properties discussed include, among many others, Paleolithic cave paintings, Tiffany drawings, huts built by early Antarctic explorers, and a collection of toothbrushes taken from Auschwitz victims. -- Robert J. Koestler is a research scientist at The Metropolitan Museum of Art; Victoria H. Koestler is a freelance writer and editor; A. Elena Charola is a freelance conservation scientist; and Fernando E. Nieto-Fernandez is a biologist at Old Westbury College, New York.
  • Cultural Heritage and Aerobiology, Methods and Measurement Techniques for Biodeterioration Monitoring, Paolo Mandrioli, Guilia Caneva, and Cristina Sabbioni, Eds., Kluwer Academic Publishers, 2003 ISBN 1-4020-1622-0
    This is a translated and revised edition of the original Italian version. This book is the first to give a general overview of the application of aerobiology (the science that studies the biological components of the atmosphere) to the conservation of our cultural heritage. Aerobiological monitoring makes it possible to estimate the risks of degradation of artefacts of historical or artistic importance by airborne microorganisms (airborne spores and vegetative structures) according to the types of materials forming the artefacts, to the conditions of the microclimate and to the type of environmental pollution, thus enabling the planning of preventive or reparative intervention. Among the book's main features are: + Aspects of the biodeterioration of different materials (paper, wood, fabrics, parchment, leather, stone, glass, metals, plastic, etc.). + Methods for measuring environmental parameters, both physical (microclimatic) and chemical (pollutants). + Methods and techniques of aerobiological monitoring. + Specific problems concerning the different types of environments. Audience: The subject is thoroughly explored, thus supplying a useful tool to those who are in charge of the conservation of our cultural heritage (libraries, archives, museums, churches, hypogea, monuments, archaeological sites, etc.).
    See our book review of this reference.
  • Exterior Paint Problems on Historic Woodwork [Copy on file as /exterior/Preservation_Brief_10_ Exterior_Paint_Problems_on_Historic_Woodwork.pdf ] - , Kay D. Weeks and David W. Look, AIA, U.S. Department of the Interior, National Parks Service Preservation Brief No. 10. Web search 02/01/2011, original source: http://www.nps.gov/hps/tps/briefs/brief10.htm
  • Microscopy of Textile Fibres (Microscopy Handbooks, 32), P H Greaves, Garland Science; 1 edition (January 1, 1995), ISBN-10: 1872748244, ISBN-13: 978-1872748245
    [We ordered our copy from the British publisher - now it's on Amazon.
    These 3 fiber books have been essential forensic lab references supplementing our McCrone Research courses on forensic microscopy; also of use to textile conservators. - DF
    An up-to-date practical guide to the properties and characteristics of textile fibres, with clear advice on sampling, specimen preparation and examination procedures.
  • Microscopy of Animal Textile Fibres, Alex Blakey Wildm, 1954
    Hard to obtain, useful for forensic microscopy - DF
  • Modern Paints Uncovered (Getty Conservation Institute Symposium Proceedings), Thomas Learner, Getty Publications (March 1, 2008),ISBN-10: 089236906X, ISBN-13: 978-0892369065
    Over the past seventy years, a staggering array of new pigments and binders has been developed and used in the production of paint, and twentieth-century artists readily applied these materials to their canvases. Paints intended for houses, boats, cars, and other industrial applications frequently turn up in modern art collections, posing new challenges for paintings conservators.
    This volume presents the papers and posters from "Modern Paints Uncovered," a symposium organized by the Getty Conservation Institute, Tate, and the National Gallery of Art and held at Tate Modern, London, in May 2006. Professionals from around the world shared the results of research on paints that have been available to artists since 1930--the date that synthetic materials began to significantly impact the paint industry.
    Modern Paints Uncovered showcases the varied strands of cutting-edge research into the conservation of contemporary painted surfaces. These include paint properties and surface characteristics, analysis and identification
  • Of Microbes and Art: The Role of Microbial Communities in the Degradation and Protection of Cultural Heritage, Kindle Edition, Springer; 1 edition (June 30, 2000), ASIN: B000VHV4FC
  • Paint Handbook: testing, selection, application, troubleshooting, surface preparation, etc., Guy E. Weismantel, Ed., McGraw Hill Book Company, 1981
    [Excellent but a bit obsolete paint theory and practice, also a bit light on field investigation methods, out of print, available used. Very useful reference for paint testing, selection, and paint failure diagnosis - focus on non-artistic use of paints such as on buildings, roofs, marine coatings. -DF]
    How to select and apply the right paint or coating for any surface. The first major reference to help you choose the correct paint or other finish to do the job best on a particular surface exposed to a particular environment. Experts in the field give full advice on testing surface preparation, application, corrosion prevention, and troubleshooting. The handbook covers wood, metal, composites, and masonry, as well as marine applications and roof coatings. A ``must'' working tool for contractors, architects, engineers, specification writers, and paint dealers
  • Paint Magic, Jocasta Innes, Frances Lincoln; 4th edition (August 17, 2006), ISBN-10: 071122272X, ISBN-13: 978-0711222724 - Paint advice for home decoration, including painting techniques such as antiquing, bambooing, bleaching, color washing, combing, decorative painting, dragging, dyeing, gliding, graining, japanning, lacquering, lining, marbling, porphyry, rag-rolling, sponging, staining, stencilling, stippling, tortoiseshelling, trompe l'oeil, and vinegar painting - DF
  • Paint and Surface Coatings, Theory and Practice - [purchase at Amazon.com], R. Lambourne & T.A. Strivens, Ed., Woodhead Publishing Ltd., William Andrew Publishing, 1999 ISBN 1-85573-348 X & 1-884207-73-1
    [ This is perhaps the leading reference on modern paints and coatings, but is a difficult text to obtain, and is a bit short on field investigation methods. Encyclopedic reference on the composition, production, properties, use, and testing of paints and coatings - DF]
    Provides a comprehensive reference source for all those in the paint industry, paint manufacturers and raw materials suppliers, undergraduate and postgraduate students, and industrial paint users.

  • Plant Biology for Cultural Heritage: Biodeterioration and Conservation, Giulia Caneva, Maria Pia Nugari, Ornella Salvadori, Getty Publications (January 15, 2009), ISBN-10: 0892369396, ISBN-13: 978-0892369393
  • Quality Assessment of Textiles, Karl Marshall, Kindle Edition, Springer; 2nd edition (October 31, 1993, ASIN: B00193F3BI
    The damage which can occur in certain fibrous raw materials or during the production and storage of textiles is expertly described in this book by Karl Mahall. He particularly shows how to find concealed textile defects by using microscopic analysis. The examples represent typical cases that the author encountered during forty years of experience in the industry. Well-illustrated with impressive photographs, they invite you to follow each step and learn to apply the same methodology in practice. This book is especially useful as a manual for both chemical and textile engineers and quality engineers. It is also a useful reference for others in the textile industry in general.
  • Building Pathology, Deterioration, Diagnostics, and Intervention, Samuel Y. Harris, P.E., AIA, Esq., ISBN 0-471-33172-4, John Wiley & Sons, 2001 [General building science-DF - ** Particularly useful text **
  • Understanding Ventilation, John Bower, The Healthy House Institute, ISBN 0-9637156-5-8, 1995 [General building science-DF - ** Particularly useful text. Mr. Bower has retired from the field but his book continues to be important]
  • Dampness in buildings, Diagnosis, Treatment, Instruments, T.A. Oxley & E.G. Gobert, ISBN 0-408-01463-6, Butterworths, 1983-1987 [General building science-DF]
  • "Moisture Control in buildings: Putting Building Science in Green Building," Alex Wilson, Environmental Building News, Vol. 12. No. 5. [Good tutorial, "Moisture 101" outlining the physics of moisture movement in buildings and a good but incomplete list of general suggestions for moisture control - inadequate attention given to exterior conditions such as roof and surface drainage defects which are among the most-common sources of building moisture and water entry.--DJF]
  • "Paint Failure Problems and Their Cure," Daniel L. Cassens and William C. Feist, National Forest Products Laboratory, online via Purdue University, http://www.ces.purdue.edu/extmedia/NCR/NCR-133.html
  • Supplemental Guidelines for Removing Paint From Interior and Exterior Wood Surfaces [on file as "/exterior/Paint_Removal_USGSA.pdf ] - , US General Services Administration, Historical Preservation Technical Procedures, 06400-02, web search August 2010, original source: //w3.gsa.gov/web/p/Hptp.nsf/0/40aff5a115b6a9e5852565c50054b4f4?OpenDocument
  • "Common Paint Problems," http://www.parkerpaint.com/Common%20Paint%20Problems.html illustrates common paint failures - though their images and text appear to have been stolen from PPG - see http://www.ppg.com/getpaint/etraining/solver/exterior.html which catalogs paint failures and causes
  • "Paint problem solver" from Lowes, http://www.lowes.com/lowes/lkn?action=howTo&p=Improve/PntPrbSlv.html&rn=RightNavFiles/no.html
  • "Mill Glaze: Myth or Reality," R. Sam Williams, Mark Knaebe, US FPL, original source: fpl.fs.fed.us/documnts/finlines/willi01a.pdf
  • http://www.paintlab.com/failure.html is a lab offering paint chip failure analysis
  • PPG Exterior Failures http://www.ppg.com/getpaint/etraining/solver/exterior.html
  • "Peeling Back Paint Layers For a Glimpse Into the Past," James Barron, The New York Times, 25 Feb 2010, p. A26
  • Seeing Through Paintings, Physical Examination in Art Historical Studies, Andrea Kirsh, Rustin S. Levenson, Materials in Fine Arts, 2000 ISBN 99-051835 [ forensic science, technical reference, focused on art works - DF]
    One of the best texts available for forensic investigation of the history, authenticity, and condition of paintings - DF
  • Sealants, Durability of Building Sealants (RILEM Proceedings), J.C. Beech, A.T. Wolf, Spon Press; illustrated edition (1995), ISBN-10: 0419210709, ISBN-13: 978-0419210702
    This book presents the papers given at the RILEM Seminar held at the Building Research Establishment, Garston, UK in October 1994. The book provides an opportunity for researchers to review up-to-date progress towards the achievement of the objectives of the standardisation of laboratory techniques of sealants in the variety of service conditions to which they are exposed.
  • Soiling and Cleaning of Building Facades (RILEM Report), L.G.W. Verhoef (Editor), Routledge; 1 edition (November 3, 1988), ISBN-10: 0412306700, USBN-13: 978-0412306709
    The report of a comprehensive investigation by RILEM which examines all aspects of the cleaning of facades, subject to soiling by both biological and non-biological agencies. The contributors are international authorities working in this field giving essential advice to all those who need to know how to approach the problems connected with the soiling and cleaning of building facades.
  • Staining, Prevention of Premature Staining in New buildings, Phil Parnham, Taylor & Francis; 1996, ISBN-10: 0419171304, ISBN-13: 978-0419171300
    The appearance of ugly staining early in a buildings life, ruins an otherwise pleasing appearance, tarnishes the image of the owners and gives rise to costly refurbishment works. In this book Phil Parnham raises a number of questions that should be considered whenever a new building is being designed or built. These are: * why has staining become so prominent; * what causes premature staining; which parts of new buildings are likely to be affected; * how can it be avoided? By using a number of highly illustrated case studies, the author answers these questions and ends by suggesting measures that should be taken by all design and construction professionals to prevent premature staining.
  • "Staining and Microbiological Infestation of Acrylic Paintings on Hardboard", Ulrik Runeberg, Conservator (Dipl. Rest./M.A.), Museo de Arte Contemporáneo de Puerto Rico, San Juan Presented,April 2007 conference in Richmond Virginia, sponsored by the AIC (American Institute for Conservation), this paper discussed the staining and microbial infestation of acrylic paintings on hardboard. - private correspondence, ER <->DF 12 September 2006. The following quotation is from the paper's abstract:
    "Hardboard served as a common and popular support for many modern paintings that were carried out from the mid - 1920’s, and still is used occasionally in contemporary art. Many artists rejected hardboard as an inferior industrial construction material of low aesthetical value, whereas others considered the processed and compressed wood fiber boards to be a stable, light and economic alternative to solid wood panels and other rigid supports.
    "From the conservator’s critical point of view, the many disadvantages of this type of support include:  high acidity, hygroscope characteristics, tendency of ‘off-gassing’, (>tendency of) warping, occasional flaking of painting material in the case of tempered hardboard. The deterioration of paintings on hardboard depends on a number of factors including:  the quality of the hardboard, prevailing storage conditions, and the preparation of the support by the artist. While there are many paintings on hardboard that are in very good condition, this paper will focus on those paintings that are heavily deteriorated and damaged.
    "A very characteristic damage found on porous painting layers such as acrylic colour on hardboard, is the formation of stains. Generally, those stains are described without any differentiation as ‘fox-spots’. The examination of various paintings concerned led to the conclusion, that there exist different kinds of stains that need to be discriminated against each other, to ensure an appropriate conservation and restoration treatment.
    "This paper aims to characterize and differentiate the stains, and will provide preventive and practical treatment proposals for the conservation and restoration of affected paintings.  Questions such  as ‘What are the stains composed of?’ and ‘Which may be the causes?’ will be addressed.  Stains may consist of a variety of contents, such as: Ligneous residues, fungal infestation, bacterial activity, a combination of microbial and support induced discolouration [SID], a ‘symbiotic relation’ of ‘SID’ and fungal infestation, or the blooming of ingredients from the original painting materials. A range of microscopic analysis of the actual microbiological infestation of selected samples will be provided.  The paintings that were examined, sampled and treated, are part of the Puerto Rican heritage, and were all kept in excessive humid tropical conditions, before they entered the Conservation Department of the Museum of Contemporary Art in Puerto Rico.
    "Conservation treatment options of stained paintings on hardboard will be discussed.  A high level of acidity (caused from SID and/or micro-organisms) may require measures of reduction, disinfection and neutralization. Treatment methods that reduce the ligneous stains and residues of micro-organisms, and neutralize affected areas in painting layers include stain removal through the application of soaking compresses (poultices), and de-acidification through alkaline material.
    "Other aspects of deterioration, that do not have to do directly with the formation of stains, but also are typical for hardboard as painting support, will be mentioned briefly." - U.R.
  • Why House Paint Fails [on file as /exterior/Why_House_Paint_Fails_FPL1.pdf ] - , Mark Knaebe, US FPL, web search August 2010, original source: http://www.fpl.fs.fed.us/documnts/finlines/knaeb95a.pdf
  • Why Paint Jobs Fail [on file as /exterior/Why_Paint_Fails_Bennett.pdf ] - , web search, August 2010, original source: http://www.bennette.com/pdf/whyfail.pdf, four pages describing alligatoring, bleeding, blistering, etc. Bennette Corporation, P.O. Box 9088, Hampton, VA 23670, Phone: 757-838-7777, Toll Free: 800-869-2929 Fax: 757-827-0529, Email: info@bennette.com, Website: www.bennette.com quoting:
    Bennette Paint Manufacturing Company, Inc. is a Virginia corporation which was founded in Newport News, Virginia in 1966 by James P. Bennette, Sr. In 1984, Mr Bennette sold the company to his employees through an Employee Stock Ownership Plan (ESOP). Today the company has a modern manufacturing plant, research laboratory, central warehouse and general offices located at 401 Industry Drive, Hampton, Virginia. From these facilities the company is able to supply quality paints and coatings through its company owned distribution and service centers and authorized dealers located in Virginia, North Carolina and South Carolina. Bennette Paint Manufacturing Company, Inc. also owns and operates Bennette Equipment Company which specializes in the sale, service, and rental of paint spraying and pressure cleaning equipment.
  • Why House Paint Fails [on file as /exterior/Why_House_Paint_Fails_FPL1.pdf ] - , Mark Knaebe, US FPL, web search August 2010, original source: http://www.fpl.fs.fed.us/documnts/finlines/knaeb95a.pdf
  • Why Paint Jobs Fail [on file as /exterior/Why_Paint_Fails_Bennett.pdf ] - , web search, August 2010, original source: http://www.bennette.com/pdf/whyfail.pdf, four pages describing alligatoring, bleeding, blistering, etc. Bennette Corporation, P.O. Box 9088, Hampton, VA 23670, Phone: 757-838-7777, Toll Free: 800-869-2929 Fax: 757-827-0529, Email: info@bennette.com, Website: www.bennette.com quoting:
    Bennette Paint Manufacturing Company, Inc. is a Virginia corporation which was founded in Newport News, Virginia in 1966 by James P. Bennette, Sr. In 1984, Mr Bennette sold the company to his employees through an Employee Stock Ownership Plan (ESOP). Today the company has a modern manufacturing plant, research laboratory, central warehouse and general offices located at 401 Industry Drive, Hampton, Virginia. From these facilities the company is able to supply quality paints and coatings through its company owned distribution and service centers and authorized dealers located in Virginia, North Carolina and South Carolina. Bennette Paint Manufacturing Company, Inc. also owns and operates Bennette Equipment Company which specializes in the sale, service, and rental of paint spraying and pressure cleaning equipment.
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